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Anime artist/writer/director had short — but brilliant! — career

A passing of note for me — and for all fans of anime, really. Satoshi Kon, a highly acclaimed Japanese anime director, died suddenly of cancer on Monday evening. He was 47.

Kon was not an early pioneer of the genre … nor was he its most prolific artist. But he had a special significance, a special impact, nonetheless. Like many in the west, I was introduced to his screen works in the mid-90s, when he directed a segment of Memories [1]. This was followed by a short list of films (short, but every one of them a gem), and one of the better animated series to ever appear on American television screens.

The films were Perfect Blue [2], Millennium Actress [3], Tokyo Godfathers [4] and (my favorite) Paprika [5]. The television series was Paranoia Agent [6].

Each one challenged us — the viewers — in different ways, and stretched our definitions of “cartoons” to the breaking point, and beyond.

Probably the best comment on Kon’s death that I’ve seen comes from a Tweet by jbetteridge [7], who wrote, “It’s not that anime will never be the same with Satoshi Kon gone. It’s now much more likely that anime will always be the same.”

So true.

There's a saying around here, something like, "I wasn't born in Texas, but I got here as fast as I could!" That's me. I'm a 'dang Yankee from back-east' who settled in the Lone Star State after some extended stays in the eastern U.S., and New Mexico. I worked as an archaeologist for a few years before dusting off my second major in English, and embarking on a 25-year career in journalism. Since then, I've embraced the dark side of the force, and now work in PR for a community college in Midland, Texas.

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