
Blame it on Kane: why The Social Network is dumb and it’s Orson Welles’ fault
Someone may have pointed this out already, but Citizen Kane is quite good. Every few minutes you get an iconic image, the storytelling’s effortlessly visual, it features rousing sledding sequences, etc. Also, it’s ensured that a majority of American movies will be, even if they aspire to greatness, pretty terrible. For most films are not photographed nearly so nicely as Kane, yet they still utilize at least one of its three poisonous legacies: [Read more →]














